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Special FeaturesSpecial Features 3 for £10: CDs Artists' Choice Best of 2010 Bestselling CDs from £2.97 Budget CDs Christmas Party Compilations Concord Music Group Deluxe Editions Deutsche Grammophon EMI Classics Essential Albums Festival CD Bargains Formats Mercury Music Prize 2007 Ministry of Sound Music & DVD 3 for £15 Music Festivals 2010 Music Gift Ideas for Mother's Day New & Future Releases Sellaband Summer Party Compilations The Best of the Best Music Browse pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50
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| Features• Eurythmics - Ultimate Collection
Product Descriptiontitoloeurythmics. ultimate collectionartistaeurythmics etichettarcan. dischi1data11 novembre 2005supportocd audiogenerepop e rock internazionale----brani1.i've got a life 2.love is a stranger3.sweet dreams (are made of this)4.who's that girl?5.right by your side6.here comes the rain again7.would i lie to you?8.there must be an angel (playing with my heart)9.sisters are doin' it for themselves10.it's alright (baby's coming back)11.when tomorrow comes12.thorn in my side13.the miracle of lovea14.missionary man15.you have placed a chill in my heart16.i need a man17.i saved the world today18.17 again19.was it just Read more...
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| From Amazon.comThough now known mainly for his middle-of-the-road balladry, Neil Diamond started his career in the '60s as a Tin Pan Alley pro who turned out a string of ballsy, folk-rock-styled classic Top 40 singles that may come as a surprise to anyone who's grown up with the image of Diamond as a sensitive crooner and Vegas showman. This 2 CD set contains all of his hits, but it isn't quite the definitive package that its title suggests. His early Bang singles ("Cherry, Cherry," "Kentucky Woman," "Solitary Man") and his later Columbia material ("You Don't Bring Me Flowers," "America," "Heartlight") appear in their original versions. But his mid-period MCA/UNI hits ("Sweet Caroline," "Song Sung Blue," "I Am ... I Said") are represented by live re-recordings from 1989 and 1992. --Scott Schinder Read more...
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| Amazon.co.uk ReviewWith Absolution, size is most definitely an issue. Hoping that it will finally propel them into the musical major leagues, Muse have set out to create a cross-genre monster, a contemporary meisterwerk, the biggest-sounding album in years. That they almost succeed is testament to their sky-high confidence and unarguable abilities. With just three members to draw upon, they've individually stretched themselves to fill in the inevitable sonic gaps. Bassist Chris Wolstenholme, in particular, does sterling work, producing a driving buzz to lift "Time Is Running Out" to a massive crescendo, then a rush of distortion that pushes "Hysteria" to Queen-like levels of ecstasy. Throughout, Matt Bellamy adds classical grace with his tinkling, rolling grand piano, all the while moaning and shrieking out his fear of decay, destruction and death, like a traumatised Gene Pitney. Indeed, aside from their classical leanings and clear kinship with the prog-rock likes of Queen and Rush (there are some outbreaks of metal here), Muse often draw on classic pop, employing lush 1960s-style arrangements. With "Blackout" they go even further, daring to conjure Bacharach's "Magic Moments". If there's a weakness here, it's that the songwriting remains inconsistent, but this is usually covered up by musicianship and studio wizardry that leave Coldplay languishing in Muse's dust. --Dominic Wills Read more...
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| Amazon.co.uk ReviewThis is a glimpse of the future--and not because of its huge influence and umpteen million sales. The poor-little-rich-boy protest "Out ta Get Me" intimates that Axl Rose's egotism and martyr complex were soon to grow bigger than his head; still, Appetite's night-train wreck of punk and metal sounds and sensibilities make it more than just an emblem of its time. Whether GN'R are dancing with "Mr. Brownstone", penning a callow kiss-off letter to some chick named "Michelle", or passing out on somebody else's sofa, this was and remains a savage journey to the heart of the American--or at least the Hollywood--dream. --Rickey Wright Read more...
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| Amazon.co.uk ReviewWhilst one suspects some kind of pre-millennial hysteria prompted Q magazine's readers to vote OK Computer The Greatest Album Ever Made scarcely five months after its release, it certainly doesn't look stupid up there in the pantheon. Following the hot red rock attack of 1995's The Bends, OK Computer heads out into the cold deep space of prog-rock and comes back with stuff that makes mere pop earthlings like Stereophonics tremble. Whilst the eight-minute-long "Paranoid Android" comes across like "Bohemian Rhapsody" with a gun held to its head, and "Electioneering" is a little too like a kiddy-version of Blood And Chocolate-era Elvis Costello to be truly revelatory, the rest of OK Computer spans the sublime to the ridiculously sublime. Thom Yorke had been obsessed with Ennio Morricone during the recording of the album (in a haunted mansion, fact-fans), and it shows on the expansive space-dream of "Subterranean Homesick Alien" and the endlessly comforting closer "The Tourist". And if neither "No Surprises" (played on a toy guitar with Yorke and Ed O'Brien harmonising like a two-man Crowded House) nor "Lucky" (recorded in one day for the Bosnian aid album War Child--it reduced Yorke to tears the first time he heard it played back) make the hairs on your skin spit with electricity, then maybe you're with the Q reader who voted for Anita by Anita Dobson. --Caitlin Moran Read more...
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